Art

Jean-Germain Drouais: L’atleta agonitzant

Solomon-Godeau analitza l’Acadèmia, així com el taller dels artistes com espai de relacions homosocials[1], recolzant-se en la noció de “desig homosocial” desenvolupada per Eva Kosofsky-Sedgwick, qui ha mostrat que les relacions socials entre els homes en contextos patriarcals, si no tenen dimensió necessàriament homosexual o fins i tot homofòbica, si no comporten necessàriament una dimensió homosexual o fins i tot són homòfobes, poden tanmateix tenir un component eròtic[2]. El concepte de desig homosocial permet parlar, en el cas de l’Acadèmia, d’una càrrega libidinal del nu masculí, però no implica necessàriament que l’artista en qüestió ni el públic al qual s’adreça ​​siguin homosexuals. L’acadèmia d’home és més aviat un ideal del jo  a través del qual el cercle homosocial compost pels mestres i els seus alumnes elabora  una imatge magnificada del seu propi sexe, una imatge ideal del self (d’un mateix).

DavidPatrocle1780

Jacques-Louis David (Paris, 1748-Brussel·les, 1825) : Académie d’homme (Patrocle), 1780. Oli sobre tela. 122,5 X 170 cm Cherbourg, Musée Thomas Henry.

La importància del nu masculí es va incrementar encara més com a resultat de les reformes de l’Acadèmia dutes a terme durant les últimes dècades de l’Antic Règim. Joseph-Marie Vien, nomenat director de l’Acadèmia de França a Roma el 1775, va fer del domini de l’estudi del nu masculí en pintura una de les tasques essencials dels residents al palau Mancini i, a partir de mitjan anys 1780, és principalment pintant nus ajaguts que els joves artistes intenten demostrar el seu talent. Es pot veure que emergeix en aquest sentit, sobretot en David i els seus alumnes, una tendència a anar més enllà del simple estudi i a inscriure el nu en un context narratiu, apropant-se així a la pintura d’història. En el Pàtroclede David, la demostració dels coneixements anatòmics i l’habilitat artística en el modelat de la musculatura a través del joc de les ombres i de la llum ja està associada a una dramatització del motiu. Amb arc i les fletxes afegides com atributs al personatge, el cos musculós es carrega de significat i esdevé el símbol de l’heroisme guerrer.

Patrocle_detall

Patrocle_detall2

Patrocle_detall3

Drouais, que era un estudiant en el taller de David mostra amb l’Atleta moribund (o Soldat ferit), que envia de Roma el 1785, un home ferit més que un simple estudi del nu. El guerrer posa la mà esquerra sobre una ferida que li talla la cuixa. El dolor provoca una tensió del cos, mentre que la cara té una expressió de calma i de gravetat. La posa sofrent del model pren un significat narratiu: tradueix la tensió interior i esdevé l’expressió per excel·lència de l’estoïcisme i del domini  d’un mateix. El nu es veu al mateix temps dotat “de la complexitat i de la diferenciació interna” característiques de les composicions de diverses figures. Encara més clarament que en el Pàtrocle de David, el cos esdevé el lloc del drama.

DrouaisSoldatFerit

Jean-Germain Drouais: L’atleta agonitzant, 1785. Oli sobre tela. 125 x 182 cm. Musée du Louvre, París.

Drouais, alumne de David, estava entestat en la seva pròpia lluita per afirmar la seva independència enfront de les restriccions imposades per les autoritats franceses a Roma. A la pràctica, tanmateix, un estudiant sol i aïllat en un entorn estranger depenia de l’Acadèmia, i el seu primer quadre romà es va ajustar a la primera de les exigències d’aquesta institució: un estudi pintat del nu masculí que, de retorn a París, havia de sotmetre’s al judici dels acadèmics veterans.

Drouais_detall

drouais_detall2

L’atleta agonitzant va transformar en un tens drama intern l’equilibrada posa d’estudi en què es basa. Tal com apareix, el ferit és qualsevol cosa menys invisible, però tot el cos està organitzat per tal que es palesi l’espasme de dolor que activa la figura. Tot i que en conjunt el cos sembla estès al llarg del seu continu contorn inferior, de fet en el centre es doblega amb una transició abruptament traçada. El seu lànguid estirament es veu truncat en el centre del tors per una contracció que s’interpreta com involuntària i produïda pel dolor. La llum rasant, a més, deixa aquesta part a la penombra, de manera que el cos queda dividit en zones de llum i foscor, així com per la seva disposició en l’espai. La llum és la zona de control; malgrat el violent dolor, la reacció del guerrer es limita a la zona fosca; tan bé resisteix i la conté, que la serenitat general de la seva figura no es veu alterada. L’esforç que li costa al guerrer queda enregistrat en el contrast entre la mà dreta, en la qual es recolza, i l’esquerra. El que no havia estat més que l’esforç del fatigat model per mantenir la posa esdevé la determinació interna a mantenir dret el cos fins el final, a no enfonsar-se en la inconsciència.

Drouais_Marius

Jean-Germain Drouais: Marius prisonnier à Minturnes, 1786. Oli sobre tela. 274,3 x 370,8 cm. Musée du Louvre, París

Després de Drouais, els artistes joves prengueren com a model l’ús de la figura masculina singular com a centre primari de les seves primeres ambicions i la seva autodefinició com artista.

Estimulat per David, Drouais va treballar en secret en un projecte sobre un moment de la vida de Caius Màrius, un general i cònsol de la República Romana tardana. L’episodi prové de la degeneració de la carrera de Màrius en la corrupció i la tirania. Comdemnat a mort pel senat romà, s’enfronta al seu executor amb la mera força de la seva presència; en el moment posterior, el soldat deixa caure l’espasa i fuig. L’”heroi” s’assembla al sever però benevolent patriarca dels Horacis. El minimalista emparellament de dos personatges militars va dur l’estètica corneillana de David -l’agudesa dialèctica, les transicions abruptes, el port imponent i l’inequívoc accent sobre l’orgull i la inflexibilitat entre els costums de la Roma antiga- a un extrem on no hi caben ni les mínimes concessions de David al gust dominant.

Aquest quadre és l’obra més reeixida de Drouais, l’alumne més dotat de David, premi de Roma als vint anys. El va pintar a Roma, dos anys després del Jurament des Horacis del seu mestre David, al qual sovint se’l compara. Escenifica la valentia exemplar del general romà Marius, el qual, empresonat, desarma amb la seva autoritat al soldat enviat per matar-lo. La composició és d’un neoclassicisme encara més sever i rigorós que el de David.

Assegut, el general romà Marius, reconegut pel seu casc posat damunt la taula, ha estat vençut pel seu rival Sylla. L’escena es desenvolupa el 89 ane, a Minturnes a la  Campània on ha estat fet pres, jutjat i condemnat a mort. Cap al soldat que ha vingut a executar-lo, adreça amb energia el seu braç nu, dient-li: “Goses matar a Marius” ? El jove soldat ha reculat i es cobreix la cara amb el seu mantell. No gosa aguantar la mirada punyent del general. El biògraf grec Plutarc ho explica a les Vides paral·leles o Vides dels homes il·lustres. Plutarc afegeix que el soldat fuig cridant : “Mai no podria matar a Màrius.” El pintor Drouais ha pintat un assumpte dramàtic i una figura exemplar de valor i força moral, com el seu mestre David ho havia fet al Jurament dels Horacis .

Drouais, que era l’alumne preferit de David, havia pintat aquest quadre a Roma mentre que hi efectuava el seu sojorn de pensionat després del seu èxit al gran premi de pintura el 1783. Va començar el seu quadre des de la seva arribada a Roma el 1784 però no el va acabar fins al 1786. Drouais havia ajudat abans el seu mestre a pintar El jurament dels Horacis. David, tornat a París, li va continuar prodigant consells per a la realització del seu quadre. Exposat a l’Acadèmia de França a Roma, aquest va rebre una pluja de lloances. El jove pintor tan dotat, que s’hauria pogut fer el rival de David, va morir a Roma dos anys més tard, el 1788, a l’edat de vint-i-cinc anys.

Com el seu tema, els aspectes formals del quadre l’acosten al Jurament dels Horacis de David i en fan una obra típica del neoclassicisme. Drouais ha seguit el model de claredat del seu mestre amb personatges de dimensió natural disposats en el mateix pla en un espai cúbic. Ha reprès igualment la construcció dels cossos seguint línies rectes, oblíqües la majoria. El braç tens de Marius, ple de significació, destaca a l’horitzontal. Les formes són paral·leles al pla del quadre; la palma de la mà de Marius ho és també, de manera una mica forçada. Drouais ha anat encara més lluny que David en la severitat i rigor. Els contrasts de llum són violents. Els colors tenen un efecte metàl·lic.

Aquest Màrius revela alguna cosa del tens intercanvi emocional i psicològic entre els dos artistes. On més clarament es percep és en el mantell rere el qual el jove soldat amaga el seu rostre, que Drouais utilitza com a recurs per oposar diametralment el seu quadre al seu model dels Horacis. El tema d’aquest quadre era la solidaritat entre les generacions, la transmissió de l’autoritat, al costat de les espases, del pare als seus fills: els herois de David volien dirigir l’atenció cap el tens punt de contacte entre ells, i la visió de l’espectador resultava indirectament afectada amb la mateixa intensitat. Però quan aquest mateix espectador es posa en el lloc d’un i altre dels protagonistes del Màrius, els efectes són la ceguesa i l’aïllament.

Afirmació i negació, visió i ceguesa simultànies, deixen irresolt el centre del quadre. Tot i les seves ambigüitats morals, la impressió que transmet podria fàcilment entendre’s com a signe de la virtut condemnada a una lluita perpètua en una societat injusta. Quan el Màrius fou exposat a casa de la família Drouais a principis de la primavera de 1787, la resposta del públic fou entusiasta. Va arribar a crear l’emoció d’un triomf en el Saló sense necessitat de ser-hi exposat.

Va morir de verola a Roma el 1788; les circumstàncies de la seva mort (atribuïda per molts a l’excés de treball a la recerca de la virtut artística ideal) esdevingueren una llegenda romàntica de gran efecte sobre diverses generacions d’artistes joves, que aspiraven a l’èxit primerenc i garantit, no per la formació i l’experiència, sinó per especials qualitats interiors que apartaven l’artista de l’existència rutinària i l’esmussada percepció dels altres. En el futur, l’artista modern hauria de carregar amb l’obligació de demostrar aquest estat d’exaltació.

En comparació a aquesta encarnació d’una virilitat musculosa i guerrera, es pot observar en els nus produïts  a Roma després del 1789 una tendència a l’erotització. Un altre alumne de David, François-Xavier Fabre, guanyador del Premi de Roma el 1787, presenta amb el seu Sant Sebastià del 1789 i la seva Mort d’Abel del 1790 unes acadèmies en les quals els matisos del color i el modelat dels músculs són executats amb una relativa moderació. L’antic heroisme se’l substitueix ara pel martiri cristià, tolerat sense cap deshonra corporal. En el cas del nu ajagut d’Abel, una pell d’animal col·loca entre les cuixes introdueix un element sensual del qual n’és difícil d’ignorar la connotació sexual.

Fabre_Sebastia

François-Xavier Fabre: Sant Sebastià expirant, 1789. Oli sobre tela. 196 x 147 cm. Montpellier, Musée Fabre.

FabreMortAbel

François-Xavier Fabre: Sant Sebastià expirant, 1789. Oli sobre tela. 196 x 147 cm. Montpellier, Musée Fabre.

Joan Campàs      Aura digital
Estudis d’Arts i Humanitats


 

[1] Solomon-Godeau, Abigail (1997). Male Trouble. A Crisis in Representation. Londres. Thames and Hudson. , pàgs. 46-55

[2] Kosofsky-Sedgwick, Eve (1993). Between Men: English Literature and Male Homosocial Desire. . Nova York. Columbia University Press. 2ª ed. 244 pàgs.

Viatge virtual al Louvre

1. Una visita al museu del Louvre
2. Ieoh Ming Pei: La piràmide del Louvre
3. Leonardo da Vinci: La Gioconda

4. L’hermafrodita adormit del Louvre
5. La funció de l’androgínia a través de les pintures del Louvre
6. Jacques-Louis David: El jurament dels Horacis
8. David: Els líctors retornant a Brutus els cossos dels seus fills
9. Jean-Germain Drouais: Màrius presoner a Minturnes
10. Girodet: El somni d’Endimió
11. David i la mort revolucionària: Lepeletier, Marat, Bara
12. Imatges de la reacció thermidoriana: les Sabines de David
13. Imatges del Consolat: Madame Récamier de David i Els ambaixadors d’Agamèmnon d’Ingres

14. El classicisme sota Napoleó: Gros, Girodet, Prud’hon, Ingres, David
15. Cap el romanticisme: Ingres, Gros, Prud’hon, Girodet, Guérin, Géricault, David
16. Théodore Géricault: El rai de la Medusa
17. Eugène Delacroix: La llibertat guiant el poble

Dossier: Del Rococó al Romanticisme a través del Louvre. Materials de treball

64 comments

  1. Sorry for the huge review, but I’m really loving the new Zune, and hope this, as well as the excellent reviews some other people have written, will help you decide if it’s the right choice for you.

  2. The new Zune browser is surprisingly good, but not as good as the iPod’s. It works well, but isn’t as fast as Safari, and has a clunkier interface. If you occasionally plan on using the web browser that’s not an issue, but if you’re planning to browse the web alot from your PMP then the iPod’s larger screen and better browser may be important.

  3. This is getting a bit more subjective, but I much prefer the Zune Marketplace. The interface is colorful, has more flair, and some cool features like ‘Mixview’ that let you quickly see related albums, songs, or other users related to what you’re listening to. Clicking on one of those will center on that item, and another set of “neighbors” will come into view, allowing you to navigate around exploring by similar artists, songs, or users. Speaking of users, the Zune “Social” is also great fun, letting you find others with shared tastes and becoming friends with them. You then can listen to a playlist created based on an amalgamation of what all your friends are listening to, which is also enjoyable. Those concerned with privacy will be relieved to know you can prevent the public from seeing your personal listening habits if you so choose.

  4. The new Zune browser is surprisingly good, but not as good as the iPod’s. It works well, but isn’t as fast as Safari, and has a clunkier interface. If you occasionally plan on using the web browser that’s not an issue, but if you’re planning to browse the web alot from your PMP then the iPod’s larger screen and better browser may be important.

  5. This is getting a bit more subjective, but I much prefer the Zune Marketplace. The interface is colorful, has more flair, and some cool features like ‘Mixview’ that let you quickly see related albums, songs, or other users related to what you’re listening to. Clicking on one of those will center on that item, and another set of “neighbors” will come into view, allowing you to navigate around exploring by similar artists, songs, or users. Speaking of users, the Zune “Social” is also great fun, letting you find others with shared tastes and becoming friends with them. You then can listen to a playlist created based on an amalgamation of what all your friends are listening to, which is also enjoyable. Those concerned with privacy will be relieved to know you can prevent the public from seeing your personal listening habits if you so choose.

  6. Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.

  7. If you’re still on the fence: grab your favorite earphones, head down to a Best Buy and ask to plug them into a Zune then an iPod and see which one sounds better to you, and which interface makes you smile more. Then you’ll know which is right for you.

  8. I’ll gear this review to 2 types of people: current Zune owners who are considering an upgrade, and people trying to decide between a Zune and an iPod. (There are other players worth considering out there, like the Sony Walkman X, but I hope this gives you enough info to make an informed decision of the Zune vs players other than the iPod line as well.)

  9. The new Zune browser is surprisingly good, but not as good as the iPod’s. It works well, but isn’t as fast as Safari, and has a clunkier interface. If you occasionally plan on using the web browser that’s not an issue, but if you’re planning to browse the web alot from your PMP then the iPod’s larger screen and better browser may be important.

  10. The Zune concentrates on being a Portable Media Player. Not a web browser. Not a game machine. Maybe in the future it’ll do even better in those areas, but for now it’s a fantastic way to organize and listen to your music and videos, and is without peer in that regard. The iPod’s strengths are its web browsing and apps. If those sound more compelling, perhaps it is your best choice.

  11. Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.

  12. The Zune concentrates on being a Portable Media Player. Not a web browser. Not a game machine. Maybe in the future it’ll do even better in those areas, but for now it’s a fantastic way to organize and listen to your music and videos, and is without peer in that regard. The iPod’s strengths are its web browsing and apps. If those sound more compelling, perhaps it is your best choice.

  13. Do you want to get a luxury European classic car for your collection and for your fancy trips? Do you want to drive a real head turner? We can offer you the following luxury European classic cars: Iconic 1938 BMW 328 Roadster – 1954 BMW 501 V8 Convertible – 1955 BMW 502 V8 Coupe – 1957 Mercedes 190SL Convertible – 1960 Jaguar MK2 3.8l – 1967 Alfa Romeo Giulia Super – 1970 Alfa Romeo 1750 GT Veloce – 1973 Mercedes 280E AMG – 1992 Mercedes 300CE AMG Convertible – 1999 Ferrari 456M GTA. All our classic cars are in showroom condition. Please check more photos and details for these cars on http://wexonexluxurystore.com

  14. Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.

  15. This is getting a bit more subjective, but I much prefer the Zune Marketplace. The interface is colorful, has more flair, and some cool features like ‘Mixview’ that let you quickly see related albums, songs, or other users related to what you’re listening to. Clicking on one of those will center on that item, and another set of “neighbors” will come into view, allowing you to navigate around exploring by similar artists, songs, or users. Speaking of users, the Zune “Social” is also great fun, letting you find others with shared tastes and becoming friends with them. You then can listen to a playlist created based on an amalgamation of what all your friends are listening to, which is also enjoyable. Those concerned with privacy will be relieved to know you can prevent the public from seeing your personal listening habits if you so choose.

  16. If you’re still on the fence: grab your favorite earphones, head down to a Best Buy and ask to plug them into a Zune then an iPod and see which one sounds better to you, and which interface makes you smile more. Then you’ll know which is right for you.

  17. Hands down, Apple’s app store wins by a mile. It’s a huge selection of all sorts of apps vs a rather sad selection of a handful for Zune. Microsoft has plans, especially in the realm of games, but I’m not sure I’d want to bet on the future if this aspect is important to you. The iPod is a much better choice in that case.

  18. Hands down, Apple’s app store wins by a mile. It’s a huge selection of all sorts of apps vs a rather sad selection of a handful for Zune. Microsoft has plans, especially in the realm of games, but I’m not sure I’d want to bet on the future if this aspect is important to you. The iPod is a much better choice in that case.

  19. Apple now has Rhapsody as an app, which is a great start, but it is currently hampered by the inability to store locally on your iPod, and has a dismal 64kbps bit rate. If this changes, then it will somewhat negate this advantage for the Zune, but the 10 songs per month will still be a big plus in Zune Pass’ favor.

  20. I’ll gear this review to 2 types of people: current Zune owners who are considering an upgrade, and people trying to decide between a Zune and an iPod. (There are other players worth considering out there, like the Sony Walkman X, but I hope this gives you enough info to make an informed decision of the Zune vs players other than the iPod line as well.)

  21. Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.

  22. Apple now has Rhapsody as an app, which is a great start, but it is currently hampered by the inability to store locally on your iPod, and has a dismal 64kbps bit rate. If this changes, then it will somewhat negate this advantage for the Zune, but the 10 songs per month will still be a big plus in Zune Pass’ favor.

  23. Apple now has Rhapsody as an app, which is a great start, but it is currently hampered by the inability to store locally on your iPod, and has a dismal 64kbps bit rate. If this changes, then it will somewhat negate this advantage for the Zune, but the 10 songs per month will still be a big plus in Zune Pass’ favor.

  24. If you’re still on the fence: grab your favorite earphones, head down to a Best Buy and ask to plug them into a Zune then an iPod and see which one sounds better to you, and which interface makes you smile more. Then you’ll know which is right for you.

  25. If you’re still on the fence: grab your favorite earphones, head down to a Best Buy and ask to plug them into a Zune then an iPod and see which one sounds better to you, and which interface makes you smile more. Then you’ll know which is right for you.

  26. Howdy Partner. You look like the type of guy who needs to have a little fun. You can have all kinds of fun at http://camgirl.pw/ That’s the most exciting site on the internet. You’ll never experience a dull moment there. Go ahead, give it a try. Just remember to be on your best behavior. Cowboys can be rowdy. Try not to drink too much time at the saloon before heading on over there.

  27. Zune and iPod: Most people compare the Zune to the Touch, but after seeing how slim and surprisingly small and light it is, I consider it to be a rather unique hybrid that combines qualities of both the Touch and the Nano. It’s very colorful and lovely OLED screen is slightly smaller than the touch screen, but the player itself feels quite a bit smaller and lighter. It weighs about 2/3 as much, and is noticeably smaller in width and height, while being just a hair thicker.

  28. The new Zune browser is surprisingly good, but not as good as the iPod’s. It works well, but isn’t as fast as Safari, and has a clunkier interface. If you occasionally plan on using the web browser that’s not an issue, but if you’re planning to browse the web alot from your PMP then the iPod’s larger screen and better browser may be important.

  29. Zune and iPod: Most people compare the Zune to the Touch, but after seeing how slim and surprisingly small and light it is, I consider it to be a rather unique hybrid that combines qualities of both the Touch and the Nano. It’s very colorful and lovely OLED screen is slightly smaller than the touch screen, but the player itself feels quite a bit smaller and lighter. It weighs about 2/3 as much, and is noticeably smaller in width and height, while being just a hair thicker.

  30. Hands down, Apple’s app store wins by a mile. It’s a huge selection of all sorts of apps vs a rather sad selection of a handful for Zune. Microsoft has plans, especially in the realm of games, but I’m not sure I’d want to bet on the future if this aspect is important to you. The iPod is a much better choice in that case.

  31. If you’re still on the fence: grab your favorite earphones, head down to a Best Buy and ask to plug them into a Zune then an iPod and see which one sounds better to you, and which interface makes you smile more. Then you’ll know which is right for you.

  32. I’ll gear this review to 2 types of people: current Zune owners who are considering an upgrade, and people trying to decide between a Zune and an iPod. (There are other players worth considering out there, like the Sony Walkman X, but I hope this gives you enough info to make an informed decision of the Zune vs players other than the iPod line as well.)

  33. Between me and my husband we’ve owned more MP3 players over the years than I can count, including Sansas, iRivers, iPods (classic & touch), the Ibiza Rhapsody, etc. But, the last few years I’ve settled down to one line of players. Why? Because I was happy to discover how well-designed and fun to use the underappreciated (and widely mocked) Zunes are.

  34. The new Zune browser is surprisingly good, but not as good as the iPod’s. It works well, but isn’t as fast as Safari, and has a clunkier interface. If you occasionally plan on using the web browser that’s not an issue, but if you’re planning to browse the web alot from your PMP then the iPod’s larger screen and better browser may be important.

  35. The new Zune browser is surprisingly good, but not as good as the iPod’s. It works well, but isn’t as fast as Safari, and has a clunkier interface. If you occasionally plan on using the web browser that’s not an issue, but if you’re planning to browse the web alot from your PMP then the iPod’s larger screen and better browser may be important.

  36. Hands down, Apple’s app store wins by a mile. It’s a huge selection of all sorts of apps vs a rather sad selection of a handful for Zune. Microsoft has plans, especially in the realm of games, but I’m not sure I’d want to bet on the future if this aspect is important to you. The iPod is a much better choice in that case.

  37. The Zune concentrates on being a Portable Media Player. Not a web browser. Not a game machine. Maybe in the future it’ll do even better in those areas, but for now it’s a fantastic way to organize and listen to your music and videos, and is without peer in that regard. The iPod’s strengths are its web browsing and apps. If those sound more compelling, perhaps it is your best choice.

  38. This is getting a bit more subjective, but I much prefer the Zune Marketplace. The interface is colorful, has more flair, and some cool features like ‘Mixview’ that let you quickly see related albums, songs, or other users related to what you’re listening to. Clicking on one of those will center on that item, and another set of “neighbors” will come into view, allowing you to navigate around exploring by similar artists, songs, or users. Speaking of users, the Zune “Social” is also great fun, letting you find others with shared tastes and becoming friends with them. You then can listen to a playlist created based on an amalgamation of what all your friends are listening to, which is also enjoyable. Those concerned with privacy will be relieved to know you can prevent the public from seeing your personal listening habits if you so choose.

  39. Every guy out there needs to relax from time to time. You’re no different. The best way to relax is by talking to a super hot babe. There are plenty of sexy ladies at http://camgirl.pw You can do a whole lot more than just talk with these cuties. They’re also looking to have the same exact type of fun you are.

  40. You need to get rid of stress. There’s no need to keep it bottled up. Have yourself a little fun by talking to some hot girls at http://camgirl.pw It won’t take you long to realize this site is filled with wall to wall babes. No site on the internet has all the cuties that this one does. Check it out and put a smile on your face. You definitely deserve one.

  41. I simply want to tell you that I am beginner to weblog and truly loved your web-site. Very likely I’m want to bookmark your website . You certainly come with superb articles. Thanks for sharing with us your website.

  42. This is a new list for today. I’m sorry about the last two lists. You may find some proxies not working the way they should. There was also duplicates in the list. I’m still learning about free public proxies. I hope you can make good use out of this list.

  43. Can I simply say what a aid to search out somebody who really is aware of what theyre talking about on the internet. You undoubtedly know methods to deliver a difficulty to mild and make it important. Extra people need to learn this and understand this aspect of the story. I cant imagine youre no more popular since you undoubtedly have the gift.

Leave a Reply

L'adreça electrònica no es publicarà.